![]() ![]() In Final Pixel’s assessment, this typically stems from two key factors: Ultimately they never made the final cut. For example, they have experimented with Epic’s metahumans and pre-recorded motion-capture animations as background digital humans on various shoots for Discovery. Throughout this period their virtual art department (VAD) has been developing technologies that allow them to incorporate the use of digital animated humans or creatures into their virtual production shoots. The end-to-end nature of their production approach has meant they have been involved from initial concept to final post on many large scale virtual productions, and have developed a reliable workflow for shooting using high-end LED walls and cameras. Throughout 2021 Final Pixel has been honing their LED wall virtual production workflow and pipeline through experience on multiple large scale commercial shoots for a range of clients - including ABC, Discovery and Shutterstock. Prepared by: Michael McKenna, CEO & Director of Virtual Production, Final Pixel. ![]() THANK YOU TO ALL CAST AND CREW WHO WORKED SO HARD IN PRE-PRODUCTION, ON-SET AND ACROSS MULTIPLE COUNTRIES TO MAKE THIS SHOOT HAPPEN. At the Edge of the Metaverse: Live Body and Facial Motion Capture for LED Wall Virtual Production, with Rendering of High Quality Digital Characters in Real-timeĪ research project and case study in virtual production by Final Pixel ![]()
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